The following analysis pertains to a self-reported data from of over 140,000 American models. All respondents were female, ages 18 to 28, and actively seeking modeling assignments through online accounts that each model maintains. Each was asked if they were interested in nude modeling assignments. Their preference for or against nude modeling was posted publicly, along with their portfolio.

Of these models, those who openly advertised a desire to pose nude numbered 12.5%. This percentage includes all heights, sizes, and shapes. If we just consider models who fall into a particular body type, the number willing to pose nude goes up. For example for those between five feet tall and five foot eleven, having a dress size zero through eight, and have a bra cup size of “B” or larger, 15.5% are willing to pose nude. If we look at the subset of these women who have a bra cup size of “C” or larger, the number goes up to 17.5%. If we look at those with a D or DD bra cup size, 20% are willing to pose nude.

The first sample, models ages 18-28, one in eight is actively looking for nude modeling jobs. With the last sample, it is one in five. These numbers reflect models who are seeking regular employment modeling nude. If you consider those who are willing to entertain nude modeling on a case-by-case basis, the proportion increases.

The results can’t be considered scientific because it is based on self-reported data. However, this analysis does make clear that body type has an effect on an interest in posing nude. The single most influential factor is bust size. It seems bustier women are more comfortable posing nude.

In a separate survey, the willingness of models with breast augmentation to pose nude was considered. It was apparent that having breast implants did not significantly change a model’s willingness to pose nude. In fact, only 16% of those willing to model nude had breast implants, compared to 26% of all models in the survey. In most instances, breast augmentation reduces the aesthetic appeal of a nude model. Many photographers don’t desire the unnatural shape and scars that come along with breast implants and models know this. So, it’s not surprising that the percentage of nude models with a natural bust line (84%) is higher than the percentage of all models over eighteen with a natural bust line (74%).

It is also apparent that models of average or shorter heights are slightly more comfortable with nudity than their taller counterparts. Models who are 5’9” and taller were about 1% less likely to advertise a willingness for nude modeling jobs.

When comparing various ethnicities willingness to pose nude, the results are disparate. Over 62,000 American models ages eighteen to twenty-eight were sampled on a modeling employment site. Of those who stated an ethnicity, Native Americans and Caucasians were the most likely to express an interest in posing nude (22% and 16.5% respectively.) All other categories were less likely than the average (14.5%) to respond positively. The least likely to respond in the affirmative was East Indians, which were only one-third as likely to do so.

Even hair color plays a role in determining willingness to pose nude. In a sampling of models, again all ages 18 to 28 in the United States, respondents were asked to report hair color and their willingness to pose nude. Amongst blondes and dark-haired models the results were mostly undifferentiated. Redheads and brunettes were at opposite ends of the spectrum. Redhead models were the most likely to opt to model nude, more than twice as likely as brunettes. Even hair length comes into play. Models with very short or very long hair are up to twice as likely to model nude compared to those with medium length hair.

How to use this information? You don’t want to limit yourself to pursuing models of only a very specific body type or appearance. For one thing, the demographic that is most willing to pose nude may not be what you’re looking for in a model. If you want to photograph tall models with small bust lines, there is no reason not to pursue them as subjects. Additionally, the subset that is most likely to pose nude comprise only a small fraction of the available models. Although short, very busty models were the most likely to be seeking nude jobs, they accounted for fewer than ten percent of respondents.

The more experienced the model, the more comfortable with nudity

Experienced models are more likely to want to model nude than inexperienced. This is mainly attributable to the fact that modeling nude is a one way trip. Few models begin modeling nude and then stop. More often, models will start modeling before they decide to pose nude. Then they will continue to pose nude. Models who describe their experience level as “very experience” are more than twice as likely to pose nude as those who say they have no experience. The desire to model nude increases sharply as models gain experience. For this reason it’s beneficial to seek women who already have some modeling experience.

The style of photography is a huge factor in attracting models.

When models are asked their opinion of nude photography versus artistic nude photography, the results are astonishingly different. In a sampling of over 1,400 American and Canadian female models 15% of them said they would be willing to pose nude. When models are asked if they would pose for an artistic nude, the number jumps to 45%. This is three times as many positive responses.

This was not an anonymous survey. These data are from a modeling employment web site where the models receive job offers for various modeling jobs ranging from fashion to nude.

The models were told that artistic nudity meant full nudity with artistic intent. For sake of clarity, the models were told that this was not implied nudity. One in seven models are willing to pose nude, while nearly half are willing to pose nude when the photography is described as artistic. Clearly the style of the photographs has a huge influence on a model’s willingness to pose nude. What makes a photograph artistic is subjective, and it is the photographer’s intent and style that attract models. Because art is in the mind of the viewer, you need to do more than describe your work as artistic. This is why you need a portfolio.

On a side note, various data were compared from modeling web sites of varying sizes. On heavily trafficked web sites, models are less likely to advertise their willingness to pose nude. Many models say that this because of the large number of undesirable correspondence they receive.  On smaller modeling sites more models indicate an interest in nude gigs.

For more on this topic, and other aspects of recruiting and working with nude models can be found in my new book, Up to My Eyeballs in Nude Women. This book is written for the serious beginner, the curious non-photographer, and even the moderately experienced photographer who needs a better grasp of recruiting and working with nude models. Understanding this book does not require comprehension of photographic technique.

Model: Audrey Rose

There is quite a lot of information available on model releases, and there are quite a few people who are still confused about the topic. When it comes to nude photography there are some aspects that are not often talked about. many of the principles are exactly the same for nude and non-nude photography, but there are also differences. Many wiki sites and modeling forums have information, some of which is helpful, but some of which is misleading or flat-out wrong when applied to nude photos. There are a couple of good legal books for photographers that I recommend. These appear at the bottom of the post.

Luckily, it is not the norm to end up in a legal dispute regarding your nude photography. The worst thing that I have experienced is having a publisher delay acceptance of nudes until I could get a proper release signed by the model. But you can save yourself time and potential headaches by having a proper release for your images.

Myth #1 : I need a model release in order to legally take nude photos.
Response: Wrong. Model releases are about permission to use the photos, not permission to take them.

Myth #2: A model release protects my copyright.
Response: Wrong. A model release gives permission to use photos and has nothing to do with copyright.

Myth #3: I don’t need a model release if I shoot nudes in a public place such as the great outdoors.
Response: Yes, you do. This myth stems from fact that people in public places do not have a reasonable expectation of privacy. However, a claim of invasion of privacy is not the only thing a model release protects you from. If the images are used for advertising, you need a release. If the use could in any way be construed as malicious or scandalous (not hard to image with nudes photos, especially years down the road) you have a problem. It’s best to be clear about what you intend to do with nude photos, so put it in writing. Shooting in public doesn’t mean you won’t want a release.

Myth #4: I have a first amendment right to distribute my photos so I don’t need a release.
Response: Your first amendment rights are not carte blanche to distribute nude photos when someone else might have a reasonable expectation of privacy, a right to portray others in a false light, etc. There is plenty more going on than first amendment rights when it comes to releases for nudes.

Myth #5: I don’t need a model release if I’m not making money off my photos.
Response: See myth #4, above. While it’s true that you can sell photos of people without their permission under some circumstances, there is more at play with nude photos. Even if you’re conducting a gallery show or displaying them on the Internet you could be subject to claims including painting the model in a false light if you didn’t establish intended uses clearly in writing.

Myth #6: A generic model release is fine for nude images.
Response: On the contrary, a model release for nude photographs should, at a minimum, state that the model is releasing nude images. This is especially important if any of the images look like they could have been an instance of the model mistakenly revealing more than intended. A good release contains a description of what is being released.

Myth #7: I only need to pay the model $1 or give her a copy of a photo to make the release enforceable.
Response: A compensation clause in a release is used to show that both parties have given “consideration”. This is one of the requirements for having a contract. If you do end up in a dispute, it doesn’t look good to have a payment that is well below market rates for services if you are in the business of selling the images. Inequitable compensation is a big red flag especially if the model has little experience and you have much. If the compensation clause is in question, the whole model release is in question. Pay fair rates.

Myth #8: If the model doesn’t read the release it’s not valid.
or
As long as she signs it, it is valid.
Response: Both of these are wrong. Most releases are written as contracts. If someone signs a contract without signing it, that fact alone does not invalidate the contract. It is up to everyone to read what they sign. However, just because someone signs something, doesn’t mean you have a contract. If you trick or pressure the model into signing without reading, you definitely don’t have a valid contract. So don’t rush the model and don’t try to fool her with long-winded verbiage in the release. If there is no meeting of the minds, there is no contract.

Myth #9: The release should be signed before the shoot begins.
Similar Myth: If I’ve already worked with a model and have a release, I don’t need a release for our second shoot.
Response: I can’t think of a good reason to do this and the practice could be very problematic when shooting nudes. Some photographers want to get the release out-of-the-way. If the model is inexperienced or has questions about what kind of permission and uses you’ll be asking for, you can show her the release before you shoot but don’t have her sign it. It’s difficult to enforce a model release that pertains to images that do not yet exist when the release is signed. Court cases involving model releases have been awarded based on the sole fact that it was not clear as to which specific photos were being released. The model could claim that she didn’t know the extent of nudity involved and thus there was no meeting of the minds and no binding contract. If the photos don’t yet exist, you don’t have a very solid release.

Myth #10: A model release provides the photographer better protection if it is long with lots of legal language, especially in the case of nudes.
Response: Just about the opposite is true. The release need only be long enough to clearly establish what the agreement is and to account for any contingencies. Unnecessarily complex or repetitive language can actually weaken a release. Remember, a contract documents an agreement and the more complicated the language the less plausible it is that both people were in agreement.

I assure you, I have a release for all my photos. Model: Tess I.

Disclaimer: I’m not a lawyer and laws vary by location. Enjoy the above generalizations, don’t fall for myths, and seek qualified experts for your legal questions.

You may enjoy reading:

The Law (in Plain English) for Photographers
by Leonard D. Duboff

and

Legal Handbook for Photographers
by Bert Krages

If you’d like to read more about model releases for nude photography, as well as the interpersonal aspects of working with models, you may enjoy my book Up to My Eyeballs in Nude Women. It covers recruiting models, preparing them for a shoot, getting great results in the studio, and a solid follow through (which includes, of course, an appropriate model release.) This book includes a sample model release that is like what I use.

Shutterstock has been a source of passive income to me and other photographers. It is exceedingly difficult to get onto the site in the first attempt. The first rule is to keep resubmitting until you get accepted.

Look at what’s been selling lately by doing a search on Shutterstock for keywords that describe your genre of images.

Shoot in RAW and perform a minimum of post-processing, nothing too creative. Work in 16-bit mode and Adobe RGB or ProPhoto RGB while in Photoshop. Convert to sRGB only when saving. Go over your images at 100% or 200% and fix any technical problems. Don’t lighten any images, you will just end up with noise that will lead to rejection. Make sure your images have enough contrast. If excessive correction is needed, choose an image with better exposure.

Down-sample your initial submission images to the minimum required size. This means re-size the images so they are no larger than smallest dimensions that Shutterstock will accept for judging the quality of your work. Once you are accepted, you can submit full-scale versions. Shutterstock is much more selective about the initial batch of images than they are after you are accepted.

Don’t submit nudes with your application. Shutterstock is a great place to license nudes (the kind that are used in European magazine advertisements to sell watches and shampoo), but your first batch should not include any. Vary your subject matter and setting too. Don’t submit all studio work. Don’t submit anything that has a logo, trademark, or other intellectual property visible.

When you are rejected, Shutterstock will tell you which images did not pass and why. Don’t try to fix these. Resubmit the images that did pass, and replace the rejected images with new ones.

A nude image that has sold well through Shutterstock. Model: Laura M.

Recruiting Tip #4

Experienced models know the importance of communication. When doing a nude shoot, there are a lot of questions that can come up. It’s important to get these questions answered before the shoot is booked. Less experienced models are not going to know what questions to ask. When recruiting a less experienced or inexperienced model, you need to use your expertise to help educate them. Make sure you explain what kinds of poses you expect. This needs to be established before the two of you agree that you’re going to do a photo shoot. When it comes to recruiting nude models, images communicate better than words. A well planned and executed portfolio is the core of your communication.

Recruiting Tip #3

Don’t give up if you have trouble finding models. The availability of models can be seasonal, rising and falling in sync with college schedules, weather, economic factors, and a whole array of dynamic elements. Staying motivated is the most important factor in early success.

New to nudes

Some photographers who are new to nudes may jump right in. Others are timid; if this is you, you need to work your way up by shooting other styles of photography. If your photography skills are rudimentary you may wish to learn the basics with landscape and still life to fill in the times you can’t find a portraiture model. Start with friends and family if you don’t feel comfortable recruiting a stranger. Start with fashion if you don’t feel comfortable hiring a glamour model. Work on a glamour portfolio if you don’t yet feel up to photographing nudes or if you’re having trouble convincing models that you can produce worthy images.

At some point you’ll start working with nudes. A certain degree of apprehension is normal. After hundreds of nude models, I still have concerns about making sure a shoot works to its best potential. I wouldn’t say I experience nervousness any more, but rather a heightened sense of attention that keeps me on my toes. If you wait until you have no uncertainties, you’ll never shoot nudes. Somewhere between self-inflicted paralysis and utter calm lies the photographer who is ready to shoot nudes.

Building your portfolio

You need samples of nude shots in order to book your models. Building credibility is an essential step to recruiting models, and nothing builds credibility better than an astounding portfolio. But how do you get your first nudes? This may seem like a catch-22, but you can get there. You may have to add progressively unclothed shots to your portfolio until you have a portfolio of nudes. Shoot clothed models until your work is competent enough to convince someone to do glamorous bikini or lingerie shots with you. I’ve rarely met an attractive woman who wouldn’t pose in lingerie and for implied nudes. Then you can move on to models who do implied nudes (nude from behind, for example) or topless shots. In many cases your first nude model can be one you’ve already photographed clothed. Each time you work with a model, the two of you will build trust and comfort.

There is a first time for everything, and I’ve hired my fair share of models who are posing nude for the first time. I don’t recommend this for beginning photographers, since neither of you will have much experience with nude shoots. But bear in mind that every model who poses nude had a first time.

Eventually you’ll have no trouble finding your first nude model, especially if you work repeatedly with the same model or hire a model who has a lot of experience modeling nude. Finding your first nude model may seem difficult at first, but it’s really not.

Once you’ve finished your portfolio, complete with everything you need to impress prospective models, know this: you’re not done. You’re never done building your portfolio. Periodically review your portfolio and relentlessly eliminate weak or old photos. Recognize what works and stick with it or update it. Your portfolio should contain only consistently strong, recent work.

Recruiting Tip #2

Models care about more than just money. Certainly, getting paid is important to any professional model. Like anyone else, she has bills to pay and various other needs for cash. First-time or occasional models are going to be enticed by monetary compensation. Even part-time models rely on modeling for income. However, they want more out of a modeling career than just a steady stream of paying jobs.

Models want to be portrayed in a favorable light. They want a comfortable working environment and an amiable photographer. Models want to work with a photographer that they perceive to be an echelon above whoever they’ve worked with previously. Novice models will want to fortify their portfolios with images that are superior to their current ones. Experienced models care about working on projects that are higher profile than they have worked on before.

Certainly a few models seem to only care about money. But even the money-conscious model has more than one dimension. Although some models tell me that they are willing to work with anyone who will pay, I’m willing to bet that they perform better when they admire the photographer.

Offering more money will often bring in more models. But anything significantly above a fair wage will yield diminishing returns. Offering outlandish pay can backfire as models become suspicious of your legitimacy.

Recruiting Tip #1

I’m often asked how I’ve convinced so many women to pose nude. The answer is: I don’t. There is no need to. The women I photograph are willing to pose nude before they even know I exist. The first nude shoot I did was a total surprise to me. The model just took her clothes off and stepped in front of my camera, ready to model. She simply assumed I wanted to photograph her nude.
The fact is, plenty of women want to pose nude for photographers, so you don’t have to convince them to. Not only have I photographed plenty of nude models, but they’ve shared with me their reasons for choosing who they pose for.

Some ideas to think about:

• Almost all particularly attractive, fit women enjoy being photographed.
• The vast majority of the above women  would be interested in posing nude at least once in their life.
• Almost no woman would pose for something she considered truly embarrassing.

Kathy E. had never posed nude before she met me.

The observations above are based on my experiences and conversations with models. The notion that would surprise most readers is the second one. Among women who are physically fit, highly attractive, and enjoy being photographed, most of most would be confident enough and interested in posing nude one or more times in their life. The key concept is that they would do it at least once. So what about the rest of their lives, the times that are not one of those times they wanted to pose nude? Consider that women who model are being approached many times to pose nude; they sometimes say yes and other times say no. Although you don’t have to convince someone to pose nude, most models are discriminating about for whom they pose. You have to convince the model that you are worthy of working with.

Many women, many styles of nudes

Another reason a woman won’t pose is if she doesn’t feel attractive. Either she’s never felt confident enough to pose nude, or she doesn’t feel attractive because of some temporary reason. Temporary reasons can come and go quickly, or they can last a long time. For instance, if a would-be model is experiencing a problem with her complexion, she might avoid posing all together. It’s not that she doesn’t normally feel up to posing; but rather, her resistance is just temporary.

Sometimes external factors, such as what others may think of them, come into play. This could be judgment from religious people or family, or the envy of friends, for example. Worrying about the opinions and judgments of others is based on her self-confidence and feeling attractive. Many models are confident enough not to care that others may be judgmental or envious of them. Sometimes models are relieved to discover that their family or friends are supportive of their aspirations to model nude. Other times, they just choose to follow the beat of their own drum. This transition is usually a one-time event; once a model comes into her own and decides to pose nude, she has come to terms with outside opinions. So finding someone willing to pose nude is easier if you can find a model with nude experience.

Sometimes, a woman doesn’t know she’s ready to pose nude until she sees a fantastic image and is inspired to pose for a similar photo. Sometimes the image she sees is mine; sometimes it may be yours. In that case it’s likely she’ll seek out the specific photographer in hopes of getting the results she wants. Maybe it’s a sexy image, or maybe it’s not sexy at all; maybe it’s deeply artistic, or maybe it’s downright shocking. Different women don’t always agree on how they want to be photographed. A model’s self image will not always fit with your assumptions of her, so you need to ask and listen. One woman may say yes to posing for sexy pin-ups and no to posing for more modest, artistic nudes. The point is your model imagines herself in the final image and that’s why she chooses to pose. However, if the model doesn’t think you can create the image, or listen closely enough to her to understand her point of view, then she won’t pose for you. Hiring is a two way street. Both employer and employee must have a common goal.

Having a varied portfolio can really help in this department. Stack the deck in your favor by showing a variety of your favorite nude styles in your portfolio. Remember your portfolio is intended showcase the kind of images you want to continue to create. This will help recruit models that are amenable to your style and genre.

Here is the general advice that I give models to prepare for a shoot. I’m posting it here in since it may be helpful to other models and photographers. It is in chronological order from about a week before the shoot. Models should read the whole list before beginning the schedule because the order of some steps will vary based on particular situations.

7 Days before the Shoot

• Confirm all details of the shoot and ask questions. Don’t be afraid to call and ask for clarification.
• Know what makeup (if any) you are expected to do before arriving to the shoot.
• Don’t experiment with hair or skin treatments. There’s not enough time to recover from a mishap.
• Don’t change your hair style unless requested.
• Cut back on tanning, which can dry skin. Use sun screen.

3 Days before the shoot

• Do your nails. Unless you’ve discussed otherwise, I suggest trim nails with a neutral color (e.g. French manicure).
  Take care of your skin. Avoid sun exposure, tanning salons. Avoid getting paint, ink or bruises on your skin. Stay moisturized.

2 Days before the shoot

• Get some moderate exercise.
• Get rid of any unwanted hair in your normal fashion. Do this more than two days before the shoot if it normally takes you longer to recover. Don’t experiment with a new method; you won’t know the recovery time.
• Exfoliate dry skin, don’t forget your feet.
• Exfoliate lips if needed.
• If this is your first nude shoot get a restful sleep tonight. You may be a too excited the night before the shoot to get enough rest.

The day before the shoot

• Day before the shoot:
• Pack your kit. Bring moisturizer, a snack, makeup, robe/cover-up. (see my post: Nude Model’s Survival Kit)
• Avoid excessive caffeine or alcohol. Eat sensibly.
• Stretch. Stay limber. Stay active enough to burn off any excess energy before bedtime, but don’t do any marathon workouts today. Stay hydrated.
• Get a full night’s rest if you can.

The day of the shoot

• Wake up early enough that you don’t feel rushed.
• If you’ve been asked to have your hair and makeup a certain way, allow preparation time.
• Don’t put on any tight clothes or anything with elastic in it. We want to avoid elastic lines on your skin.
• Don’t tie your hair tightly, that can also leave a mark.
• Avoid anything that will stain your teeth: tea, coffee, cigarettes; they all show up on the image.
• Moisturize everywhere from the neck down. You don’t want anything close to dry skin.
• Directions to the shoot: Don’t forget to bring them with you. Call if you’re lost, don’t be embarrassed, just call and ask. If you’re going to be late or can’t make it, call ASAP. Don’t be a no-show without calling.
• Once at the shoot keep cell phone use to a minimum.
• Be friendly and professional

After and between shoots

• Take care of skin. Bug bites and tan lines can last a long time. A model’s body is her income, protect it.
• Eat healthy foods. Stay away from sweets, fatty meats, and junk food.
• Exercise vigorously five days a week. Perform a mix of strength, flexibility, endurance, and fat burning exercises.
• Practice posing and posture.

Nude with red cloth. Model: Audrey Rose.

It’s Not Fair

I’ve heard many times, “It’s not fair,” in comment on how some nude models get lots of work while others do not. Often it is the aspiring model, having trouble finding work, who is commenting.

Nude modeling is not supposed to be egalitarian or documentary. Whether the decision maker is the photographer, an art director, or a publisher there is no obligation to take all applicants. Just as with any employment there will always be more applicants than open positions. Even qualified applicants will be turned away.

No, It’s Not Fair, and It’s Not Supposed to Be

Too tall, too short, too heavy, too thin, too male, too female, and any number of other reasons prevent a prospective model from getting the part. There is a misconception among some that if they try hard enough, they can get any part. While I encourage aspiring models not to give up, you have to find your niche. While you’re trying to find your niche you have to be realistic. It may take a long time, and you may face a lot of rejection.

Certainly there are those who will accept just about any applicant for their projects. These entry-level projects are a fine way to start, provided they’re legitimate opportunities. Most everyone has to start at the bottom and work their way up. It’s one of the few “fair” things about most any industry. But most models want to get to the next level. Many expect to be injected right at the top from the very beginning. It’s simply not going to happen.

Meeting the Minimum Requirement is Seldom Enough

Make sure you read the requirements for any casting call. If it says minimum height is 5’6″ and you’re 5’5″ and three quarters, don’t get your hopes up. Even applicants who are 5’7″ are going up against those who are 5’10″. If height is stressed in the casting, they are probably looking for long legs. Unless you are “tall for your height” (leggy) you’re not going to be the most qualified even if you meet the minimum requirements.

Not every genre of modeling is going to be for you either. No photographer is obligated to shoot in multiple styles, or a even a single traditional style. Just because your look is perfect for a popular style of nude photography, doesn’t mean you’re a shoe-in for every job.

I had one model write to me “I don’t have the face for fashion or glamour, which is why I am perfect for nudes.” While this makes sense for some genres of nude photography, again it’s not a guarantee of employment. The majority of nude photography de-emphasizes the face to some degree simply by the inclusion of the body. But the degree to which the face is important varies from style to style. There may be more options for an aesthetically pleasing nude without the face than in other types of photography. However, not having the face for glamour doesn’t mean you’re perfect for nudes. (Side note: I did not find the model in question unattractive. I’m not saying who she is, but I photographed her and thought her face was one of the more interesting things about the images.)

Don’t Be Discouraged

If you are an aspiring model, don’t give up after a few rejections. It’s not fair, but you’re not being singled out. I’ve rejected models that were too thin, too busty, too tall, and other reasons that you might think would give them an advantage. The fact is, like other photographers, I’m looking for something in particular for each shoot. You won’t know what that is until you ask us. And like most employment applications, you’re more likely not to get the job than to get it.

I’ve had some models contact me twenty times without being awarded a shoot. I’ve even referred some overly persistent models to other photographers (admittedly with the selfish purpose of getting them off my back.) But other models have contacted me multiple times and only found work on the third or fourth contact.

Persistence will help you. Broaden your horizons and look for different types of castings, especially those where you fit in the middle or high end of the requirements. If they want someone 5’4″ or taller and you’re 5’6″, go for it. If they ask for few tattoos and you have zero, don’t forget to mention that. If they want comfort with implied nude and you’ve experience with full nudity, let them know when you apply. Look for those opportunities where you have an unfair advantage.

Sarah H. is a wonderful and experienced nude model, who applied a few times before I had a project for which she was suited. I've now shot with her several times.

From time to time I see someone, either a model or a photographer, ranting about one site or another. It usually starts with “all the people on this site are…” and then proceeds to generalize about every site member. Well, I’m not inclined to take stock in many statements that begin with a phrase like that. Take the instance of no-shows for example. It happens to all of us, but there are ways you can avoid no-show models, and I’ve written about that.

That’s Not Their Job

Most sites do minimal screening of their applicants and members. Most modeling sites are a free-for-all where only spammers and other unruly individuals are denied membership. Even modellocate.com which claims to to do a good job of weeding out people who shouldn’t be there, and which has a built-in feedback system, contains flaky models. The modeling site is just the conduit for social networking, and it’s up to you to use your knowledge and effort to find good people to work with.

Look Before You Leap? Really?

To take the issue more broadly, let’s say you were hiring a cleaning service. You open the yellow pages and look for a nice looking advertisement. You immediately hire them, not bothering to get past references, ask your contacts if they’d heard about them, or even prepare any interview questions. You then discover that they do a lousy job and conclude “The yellow pages are terrible!” — Although this seems laughable, this is exactly the approach some take to using modeling sites.

You need to do your homework before hiring a nude model. I’ve written about this topic in a separate article.

If you learn how to spot a conscienceless, hard-working model, it stands to reason you’ll have better success booking models who give you a great shoot.

Even if you are very careful, you’ll still have bad experiences. But you will also have good experiences, and the more you learn and apply that knowledge, the more you’ll be able to sort the flakes from the real models. Even the crazy modeling sites have some good models on there. I’ve even found good models on regular social networking sites like Myspace.com, though many photographers will say “All the models on Myspace are…” well, you get the point.

Model: Meg S.

Meg is a model I found through modeling sites who yielded a good shoot. She was on time, had posing ideas of her own, and didn’t hesitate to try any pose I suggested.